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Focus: Post/Production Grass Valley EDIUS version 7 Along with AVID Composer, Sony Vegas Pro 12, Adobe Premiere Pro CC and FCP, EDIUS 7 delivers at the Big End of Video Editing
By David Hague Rather than adding any drastically radical major new enhancements to version 6.5, version 7 instead provides improvements to existing functionality taking advantage of the newer processors letting you work in real time in not only an editing workflow, but also transcoding between 4K, HD and SD resolutions including aspect ratio changes and frame rates. Improvements have to been made in the handling of large numbers of still image files including JPG, TGA and DPX. ...Read More »
Focus: Post/Production Sorenson Squeeze 9 A Great Product Just Gets Better (and Easier!)
By David Hague For as long as I have been shooting and editing video, there has been a version of Sorenson Squeeze available. Quite simply, Squeeze has always been the premiere transcoding utility used by professionals. It is simple to use, effective, fast and covers almost every known codec and format type available. Squeeze 9 is the latest version of this venerable product, and while certainly not an inexpensive package, with pricing ranging from USD$799 to an eye watering $1999 for the server version, if you are a professional in the video game, it is an almost indispensable item to have in your toolbox. ...Read More »
Focus: Post/Production Using Prodrenalin To Save Your Video! Remove fisheye, stabilize, fix noise effects and other distortions
By David Hague If you are the proud owner of a GoPro (or similar such as the Sony Action Cam or the Kaiser Baas Sports Cam) you'll be all too familiar with a few problems. Not the least of these is the sheer amount of camera shake followed by distorted footage due to the 'rolling shutter' effect of these cameras. Also in the equation is fish eye distortion, and who hasn't missed that the camera wasn't exactly level when shooting? Or you need to flip video 180 degrees as the camera could only be mounted upside down. This is where ProDad Prodrenalin comes in. ...Read More »
Focus: Post/Production Bluff Titler With this you could re-create almost anything you have seen as opening and closing credits for TV
By David Hague Creating titles is something of an art and why there is a separate team usually making them. If you look at the credits of a TV show or film, you'll quite often see a completely different company credited for titles. Yes, there are businesses that JUST make titles and opening/closing sequences. Most video editing packages can do titles do some degree or other. Some are exceptionally good, and some are nauseatingly bad. Thankfully Bluff Titler exists to fill in the gaps. ...Read More »
Focus: Post/Production Artbeats Driving Plates For those needing a West Coast setting there's bound to a shot that will make your project a success
By Stephen Schleicher Problem: Your project has a scene where two characters are driving in a car and having a discussion. You don't have the budget to tow a car around town, and you certainly don't want to risk damaging your camera by attaching it to a moving vehicle and driving on a busy street. Solution? Artbeats Driving Video! ...Read More »
Focus: Broadcast The JVC GC-PX100 Camcorder I love this camcorder - it is truly a step forward in design and has been carefully thought out towards its intended market
By David Hague Every once in a while, a piece of equipment comes out from a vendor that grabs you by the throat and gives you a shake as it yells, "Look at me!". The new JVC GC-PX100 is such a beast. In terms of camcorders, the GC-PX100 is quite different; the shape is different, access to controls is different and even some functionality is different. ...Read More »
Focus: Broadcast The Panasonic HC-V520M Camcorder Built in wi-fi support with "Real Time Broadcasting"
By David Hague If you are into sports video, you know that it almost a given that you need a decent zoom to get the action (and it goes without saying, a tripod as well). In still photography terms, my experiences in motor sport suggest a 200mm is the minimum and probably a 400mm the optimal. Of course you need to allow factors such as low light and depth of field to get the best of them. Panasonic has obviously realized this in terms of the video world and released the HC-V520M, a single CMOS hi-def camcorder that will sit easily in the palm of your hand, but sports a genuine 50x optical zoom and an "intelligent" 80x ...Read More »
Focus: Animators Artbeats Starfields 2 HD Starfields 2 HD is definitely worth picking up if you need a space shot for your next production!
By Stephen Schleicher If you are going to do any kind of sci-fi related project, chances are you are going to have at least one shot that shows off the vastness of space. For those on a budget, spending the time rendering a high resolution space scene may be out of reach. Fortunately, Artbeats returns to outer space with a whole new collection of clips that you can use. ...Read More »
Focus: Consumer Electronics The Canon HF G25 Camcorder The HF G25 is a well rounded camcorder well suited to the documentary and short film maker
By David Hague And still they keep coming. Today we received a new Canon HF G25 for testing, and true to recent form for most of the latest camcorder releases, the features and functions are truly staggering. This camera is designed to be fully automatic or as manual as you like. Things such as Auto Gain can be adjusted as can focus preset and a manual focus assist. Zebra patterning is there as are white balance presets for daylight, shade, cloudy, tungsten and by colour temperature. ...Read More »
Focus: Consumer Electronics The Sony PMW-200 Camcorder A production camera that will suit the needs of documentary maker and short film aficionado alike
By David Hague The power of a motor vehicle is usually measured in kilowatts (although still more easily identified by most in the "old currency" of brake horse power). Sadly this is not always an accurate measure of grunt as other factors should also be brought into the equation such as power-to-weight ratios and so on. Similarly, most non-professionals (and advertising blurb and salespeople) tend to measure how good a camcorder is by its zoom factor, number of megapixels or even its internal storage capacity. While all of these are a small part in the total power factor they are by no means anywhere near the be-all and end-all. ...Read More »
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