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Focus: Post/Production Resolve 12.5 By David Hague Over the years, I have used many, many different video editors - Adobe Premiere 4.2 was probably my first NLE, followed by a long stint with Sony (now MAGIX) Vegas and flutters with AVID, EDIUS, one called Speed Razor and of course I have reviewed just about every package our there over the last 20 odd years costing from hundreds to many thousands of dollars. So, when I am told that a full on, top featured package as used by the Hollywood heavyweights is available for free, of course my ears prick up just a little and I want to know more. Is it so complex that I won't be able to grasp its workflow? Or does it require so much computer horsepower my modest Dell XPS 2710 all-in-one won't drive it? Perhaps the claims are overblown? ...Read More »
Focus: Broadcast A Close Look at The Panasonic AG-UX90 Camera By Stephen Schleicher For the last couple of weeks I have had a chance to test the new AG-UX90 camera from Panasonic. The lightweight camera is great for the photog on the go or for those doing documentary work. Should you grab this camera? I run down the great, and not so great features of the camera, in this review. The camera captures images on a 1-inch CMOS sensor, which ends up giving the user a better depth of field than other cameras you'll find in this price range. It isn't a full frame sensor, but then again, this camera isn't designed for DSLR fans, or those planning on shooting a feature film. ...Read More »
Focus: Broadcast NAB Hands On AJA's 4K / HD Camera
By Ko Maruyama This month, AJA announced a new camera - the RovoCam. As major producers of video continue to get ready and move forward into higher resolution content, especially UHD, AJA delivers this new block camera for multiple markets and users. ...Read More »
Focus: Broadcast RED GIANT OFFLOAD Backup on set... right now.
By Ko Maruyama It's a media copy application for easily backup and - hey - OFFLOADING your footage from a removable camera media card to somewhere else. Simple enough for almost anyone on set to use. ...Read More »
Focus: Post/Production Vectoraster by LostMinds Designing with Shapes
By Ko Maruyama Vectorizer for the Mac (and iOS) allows you to create fantastic shape based translations of raster artwork or photography with just a few clicks. The great part about this new software is that it is really easy to use. Like any good design software, it?s full of options that will allow you to create unique pieces, even when you?re starting from presets. ...Read More »
Focus: Broadcast Sony Spectral Layers Pro 2 Now you can unscramble the audio egg!
By Dr. David Smith Digital audio editing software has made amazing signal processing and manipulation possible with the click of a mouse, but until now it has been virtually impossible to take a fully mixed track and un-mix it. Sony's new Spectral Layers Pro allows you to do just that. ...Read More »
Focus: Broadcast Using Prodrenalin To Save Your Video! Remove fisheye, stabilize, fix noise effects and other distortions
By David Hague If you are the proud owner of a GoPro (or similar such as the Sony Action Cam or the Kaiser Baas Sports Cam) you'll be all too familiar with a few problems. Not the least of these is the sheer amount of camera shake followed by distorted footage due to the 'rolling shutter' effect of these cameras. Also in the equation is fish eye distortion, and who hasn't missed that the camera wasn't exactly level when shooting? Or you need to flip video 180 degrees as the camera could only be mounted upside down. This is where ProDad Prodrenalin comes in. ...Read More »
Focus: Post/Production Canon's XA20 Professional Camcorder Is it better than the Canon XA10?
By David Hague Some time back we awarded the Canon XA10 Auscam's Camcorder of the Year. It was a truly ground breaking beast with its professional features such as twin XLRs, superb low light capability, brilliant lens and all crammed into a wonderfully ergonomic but small and light compact form factor. So what has changed in the XA20, and is it better? ...Read More »
Focus: Post/Production Bluff Titler With this you could re-create almost anything you have seen as opening and closing credits for TV
By David Hague Creating titles is something of an art and why there is a separate team usually making them. If you look at the credits of a TV show or film, you'll quite often see a completely different company credited for titles. Yes, there are businesses that JUST make titles and opening/closing sequences. Most video editing packages can do titles do some degree or other. Some are exceptionally good, and some are nauseatingly bad. Thankfully Bluff Titler exists to fill in the gaps. ...Read More »
Focus: Post/Production Artbeats Driving Plates For those needing a West Coast setting there's bound to a shot that will make your project a success
By Stephen Schleicher Problem: Your project has a scene where two characters are driving in a car and having a discussion. You don't have the budget to tow a car around town, and you certainly don't want to risk damaging your camera by attaching it to a moving vehicle and driving on a busy street. Solution? Artbeats Driving Video! ...Read More »
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