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Focus: CAD Vectoraster by LostMinds Designing with Shapes
By Ko Maruyama Vectorizer for the Mac (and iOS) allows you to create fantastic shape based translations of raster artwork or photography with just a few clicks. The great part about this new software is that it is really easy to use. Like any good design software, it?s full of options that will allow you to create unique pieces, even when you?re starting from presets. ...Read More »
Focus: Audio Production Sony Spectral Layers Pro 2 Now you can unscramble the audio egg!
By Dr. David Smith Digital audio editing software has made amazing signal processing and manipulation possible with the click of a mouse, but until now it has been virtually impossible to take a fully mixed track and un-mix it. Sony's new Spectral Layers Pro allows you to do just that. ...Read More »
Focus: Post/Production Using Prodrenalin To Save Your Video! Remove fisheye, stabilize, fix noise effects and other distortions
By David Hague If you are the proud owner of a GoPro (or similar such as the Sony Action Cam or the Kaiser Baas Sports Cam) you'll be all too familiar with a few problems. Not the least of these is the sheer amount of camera shake followed by distorted footage due to the 'rolling shutter' effect of these cameras. Also in the equation is fish eye distortion, and who hasn't missed that the camera wasn't exactly level when shooting? Or you need to flip video 180 degrees as the camera could only be mounted upside down. This is where ProDad Prodrenalin comes in. ...Read More »
Focus: Broadcast Canon's XA20 Professional Camcorder Is it better than the Canon XA10?
By David Hague Some time back we awarded the Canon XA10 Auscam's Camcorder of the Year. It was a truly ground breaking beast with its professional features such as twin XLRs, superb low light capability, brilliant lens and all crammed into a wonderfully ergonomic but small and light compact form factor. So what has changed in the XA20, and is it better? ...Read More »
Focus: Broadcast Bluff Titler With this you could re-create almost anything you have seen as opening and closing credits for TV
By David Hague Creating titles is something of an art and why there is a separate team usually making them. If you look at the credits of a TV show or film, you'll quite often see a completely different company credited for titles. Yes, there are businesses that JUST make titles and opening/closing sequences. Most video editing packages can do titles do some degree or other. Some are exceptionally good, and some are nauseatingly bad. Thankfully Bluff Titler exists to fill in the gaps. ...Read More »
Focus: Broadcast Artbeats Driving Plates For those needing a West Coast setting there's bound to a shot that will make your project a success
By Stephen Schleicher Problem: Your project has a scene where two characters are driving in a car and having a discussion. You don't have the budget to tow a car around town, and you certainly don't want to risk damaging your camera by attaching it to a moving vehicle and driving on a busy street. Solution? Artbeats Driving Video! ...Read More »
Focus: Post/Production Camera Tripods In the age of smartphones and tablets a forgotten piece of video kit is the humble tripod - David Hague looks to rectify this
By David Hague We are often asked when a tripod should be used, and the generic answer is "whenever you have one with you". Unless you purposely want that jerky, jumpy video look that was a trademark of some TV shows for a period, there is nothing worse than a video that is not rock steady. There is a reason that TV camera operators routinely use them no matter the circumstances. Trust me, you wouldn't lug one of those dirty big TV camera tripods around everywhere with you by choice! But not all tripods are created equal. The one you can buy for $15 in Big W has nothing in common with any of the tripods you'll see in this story other than it has three legs and a screw to mount a camera! ...Read More »
Focus: Post/Production The JVC GC-PX100 Camcorder I love this camcorder - it is truly a step forward in design and has been carefully thought out towards its intended market
By David Hague Every once in a while, a piece of equipment comes out from a vendor that grabs you by the throat and gives you a shake as it yells, "Look at me!". The new JVC GC-PX100 is such a beast. In terms of camcorders, the GC-PX100 is quite different; the shape is different, access to controls is different and even some functionality is different. ...Read More »
Focus: Post/Production The Panasonic AG-HPX255 Camera and BT-LH1850 Monitor I could see shooting a variety of projects with this camera
By Jeremiah Hall The AG-HPX255 is a hand-held 1/3 2.2 megapixel 3-MOS camera. It uses P2 cards. It records full 1920x1080, 10-bit 4:2:2. It is also capable of being used in a studio environment, thanks to a remote terminal compatible with Panasonic's AG-EC4 Paint Box remote control. Not bad for a camera that lists at $6,995.00. The BT-LH1850 is 18.5" monitor. It has a resolution of 1366 x 768. It's big enough for multiple people to look at, while being small enough to carry around to shoots. It has a built-in vectorscope, as well as a waveform monitor for RGB signals. ...Read More »
Focus: Broadcast Replay XD: "A POV Camera Designed for Professionals?" This is an old-school bullet cam
By Douglas Spotted Eagle In the earliest days of sport POV production, photographers were excited about the advent of the "lipstick camera" for its small form factor and ease of use. The camera(s) could be mounted on a wing, helmet, or other foundation, cabled to a recorder, and used for new angles in production. These bullet wonders helped create the sense of "being there." They were also horribly expensive and fragile. In modern times, we've seen the camera shrink in size, and dramatically improve in image quality. In many cases, this size-shrink inspires kludgy form factors, and this is where the Replay XD camera shines. ...Read More »
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